Monday, September 14, 2009

Course Critique

I had mixed feelings all throughout the course. Initially I was even apprehensive to come to college and work as I was scared it would aggravate my condition. But as things gradually progressed I became more confident and I developed new ways of working in order to produce maximum output and not blame my health. Though at times I would do that. I was extremely satisfied with the way I coped with my health and still managed to work well. It was very difficult to be positive at every step.

Course wise I did learn a lot of things. Interactive textiles was a completely new thing to me and I was very fascinated by it.
The greatest skill however was to identify people who could work with us, make them understand what we wanted and then go to rectify their products. Dealing with people and making them work as you want them to seemed like a Herculean task. Also our communication skills were greatly tested as initially all we could tell people about was our ideas. We had nothing to show them. I realized that its very easy to talk but when it actually comes to doing it and achieving a particular level of finish and professionalism so that it can be sold is very difficult to achieve. There is a sharp contrast.
On the whole this course was satisfying as some of the skills I acquired, are going to be with me for life. I am going to take them forward with me.


Bug List!

  • Not being able to travel because of my slip disc.
  • Having constant pain while working and not being able to work for long hours. I had to sleep for 10-15 minutes at regular intervals.
  • Not being able to visit Dastkar.
  • Reaching a dead end often while ideating.
  • Not being allowed to solely concentrate on the LED Lamp.
  • Not being able to find people (from whom we had to get the work done) who did a finished job.
  • Too much of running around to find the right kind of people and making them agree to work for us.
  • Constantly ending up with shabby work done by the tailors and then rectifying it.
  • The LED's got unsoldered very easily.

Marketing for the products

Focusing on Yelahanka as our market, we thought about various ways of publicizing and marketing the products.


1) One of the major factor is location. The location of the advertising, and the location of where the products are kept for sale. We, thus, began looking at the various shops around Yelahanka and their clientele.

2) Publicity also requires some consideration into the location. We thought of publicizing not only at the stores where they are being sold, but also on the packaging bags.


The shopkeepers liked our products but said that our products would sell more in the city than in Yelahanka. The people in Yelahanka preferred bling items to the earth colours we chose.


Final Products

                                    Gift Wrapping paper
                                       Greeting cards

                                            LED Book
                                           LED Lamp
                              Paper Lamp with fish cut-outs
                                    Reusuable book cover

                                    Book/Paper Binders

Creating the Shreya logo




                                The final logo of "Shreya"

Brand Identity and Packaging

We realized the need for creating a brand identity for the products. They were already a little different from the usual products, and by showing that there existed an entire range of such products, it would help in advertising to the customers. It would also help bring all the products under a common name.  

We talked to Krishnaveni aunty about our idea and asked for her input. We made sure to do that so that we keep her in the loop and part of the process. Since, in the end, the business venture is to be hers, its important for her to approve our ideas.

Krishnaveni wished to call the business 'Shreya' after her granddaughter. Working on that, we worked on creating an entire brand identity.

 

We thought about creating either labels or tags that would carry the name of the brand / logo.

Even the bags in which the products were to be given were of a different kind.

Using a different technique of paper-folding, giving it a new shape.




Prototype of the bag



The Final Bag

Getting down to doing it!






What could we create using a lady's skills and resources that would be practical and profitable as a business venture? We looked into her services. She was willing to offer her painting and embroidery skills to anyone who wanted to make use of them. Putting that out to the people and publicizing her interests were only a part of the solution. We needed to think of something more innovative that would take it a step further. A lot of women have painting and stitching skills. What would make her stand out?


We examined our daily lives to see if a product or service needed to exist where it did not. It was extremely difficult to pinpoint such a thing. We didn't know in which direction to look. Should we look into the needs and create a product surrounding that, or are we to create a product building from the materials and skills? It was a question I grabbled with a lot in the time we spent ideating. In the end the product had to cater to the customers. It would make more sense to look into their needs and desires while designing a product. On the other hand, the products had to be focussed on the woman's skills and their application. Some of the other products seemed to stray from the lady's abilities and resources. The other approach tried was that of the materials involved. The idea was to identify the materials that she could possibly work on and work with, list its properties & characteristics and try to build a product out of that information. This too had its problems and we constantly had 'creative-blocks'.

We had initially thought about simply expanding her services to other objects than just the sari. We waded through thoughts of selling design patterns, teaching art to interested people and even simple products like unusual greeting cards, poster designs and painting on any products commissioned by customers. The USP of this system would be that she would remain open to a lot of different options for the people and would display an unusual mix of art and textiles. Being a very basic and simple strategy, we feared it would not be strong enough to achieve the desired results.

It was then that we were asked to look into technology as another option. After researching into the field of interactive textiles,  we began to consider it a strong option. We came up with a couple of ideas that used LEDs, sounds, and other possible electrical interventions for art and crafts. Taking a few ideas ahead, we created sketches and iterations. Taking help from Victor, we began to realize the immense possibilities that lay before us within each idea. We recognized the most practical and decided to take it forward.
We decided to go ahead with this also because by making such a product the kind of clientele that aunty would serve to would broaden.
The lamp with a soft touch sensor and LEDs on its surface instead of the usual bulb inside, was the basic idea. Siting with Victor, we learnt that there was a lot more we could do with it. There were so many different sensor techniques that seemed exciting and unusual to us. We would first have to work on the LEDs. We got an extremely short and quick course on LEDs and circuits, to get us started. We worked on the circuits, getting the feel of it. We unsoldered and soldered bits together to form a circuit of LEDs and resistors. Seeing it work, we proceeded to work on the designing of the product. We went through quite a few textile books and patterns before  drawing out a few patterns. We also made a note of techniques we thought of that might help enhance the lamp. Mirrors and sequins, for example, we hoped would reflect some of the LED light creating more brightness, while button holes would allow light to pass through the cloth itself. We made swatches of them to get a better idea of how possible and practical these techniques would be. We also created a prototype of  the lamp on a small patch of cloth, hoping to see the effect of the LEDs through the fabric alongside embroidery. Apart from that, we worked on the logistics of it. We calculated the cost of the electronics, met an electrician ( Mr Pranabha, the owner of Classic Electrials) who has the resources to do the entire soldering work, and looked into availability of materials close by. We also kept an eye on shops in the city that sell such products, for later when we would require an ally for the sale of the final product.


The other products that incorporated technology in them were also considered and discussed. A book with an inbuilt bookmark cum reading light was one of the ideas we thought was interesting and possible enough. We worked on the basic prototype but did not go into the circuitry just yet. Knowing that it was possible to make and work was enough at that point. We also thought of other ideas based on need. We thought about having a purse with LED's in it. This idea stemmed from my mother's inability to find things in her purse in the dark. The presence of an LED inside would greatly help the situation. Yet, we had to think about how Krishnaveni aunty's skills could be made use of with this product. The closest idea possible seemed to be a cloth drawstring purse or a "bhatua". Yet, the mechanics of it are difficult and are still in the process of being worked upon.
We also realized, keeping our client in mind, that Krishnaveni aunty also wanted to make products that did not require any technology at all. We thought about various products and again wandered down the path of wondering which path to take to arrive at an idea. Do we work keeping the material in mind, the skills in mind or needs of the final customers in mind? Although all three need to be kept in mind, it was the question of where to start from. Jumping from one process to the other hoping to see them converge somewhere seemed to get us nowhere. Despite that, we did manage to get a few products into the list. The 'binder' was one that we took forward. Creating a long band of cloth with buttons and a loop on the other end was a simple enough product, but with en-numerous uses. It can be used to keep papers intact, clothes into a bundle or to hold multiple things together. It is aesthetically beautiful, simple to make, cheap, a novel idea and uses the skills of the lady while keeping it open for her to work on it the way she prefers later.

We thought of incorporating cloth and paper to create different kinds of greeting cards. With this product aunty had the freedom to do whatever she like on the cloth. It could be fabric painting, mirror work, different kinds of embroidery and others.

To broaden the variety of products we thought of making boxes for multiple uses with different materials and techniques.

We also decided to make a paper lamp using the paper cutting technique. Where the light would pass from the cut-outs in the paper.
This was also a new skill that Krishnaveni aunty was acquiring in the process.








Ideating...


Speaking to Krishnaveni aunty we realized that her interests and talents include painting and embroidery. Often she would paint on her saris and on paper as a hobby. We tried to think how she could turn this into a business. It was easy to think that we could facilitate her current activities by promoting her work, creating a wider demand and a wider range of products/services. Breaking out of it and looking into what else could be achieved is what we had to work on. 
When we started off, a lot of questions popped up in mind. Things like:
Have I understood Krishnaveni aunty's capabilties well enough?
Has she understood our proposal and what we need from her?
Is our proposal innovative enough?
Do such things already exist?
How am I contributing to it as a "designer"?
 
Only after getting feedback from Sudo and Ramesh did our project gain a direction.
We tested out the kind of things Krishnaveni aunty could do. 
On a piece of cloth in different patches, aunty showed us different kinds of embroidery like:
Sequence work
Boolean knot
Fabric cutting
Applique work
Zardosi kind of embroidery
Mirror work
Fabric Painting


Sunday, September 13, 2009

The Brief

I had no idea about what I wanted to do. Joining five weeks later i was totally lost. I had to localize my project as I couldn't travel, thanks to my slip disc. 

So I either had to work with people at college or in the pg. I started identifying people who had free time on their hands and had a particular level of skill that I as a designer could take forward. 

I decided to work with Krishnaveni aunty. She is a warden at Pratish PG. Since she is a warden she has a lot of free time in the afternoons and evenings. And she is extremely enthusiastic about painting and stitching. She already does it at a small scale on her own saris and bags. So I decided to take this forward.